To learn more about Copies Direct watch this. The pop art inspired paintings of the Coloured People and Interiors series seem glossier and less political than Bennetts other work, but this is not the case. His three paintings titled Possession Island are based on a 19th century etching by Samuel Calvert. Synthetic polymer paint on paper 102: GORDON BENNETT born 1955 Notes to Basquiat. View Scale Rotate. Gordon Bennett Australia 1955-2014. Bennett directly referenced the work of many other artists throughout his career, including Jackson Pollock, Piet Mondrian, Kazimir Malevich and Vincent Van Gogh. 'Nothing quite prepares you for the impact of this exhibition': Haring Basquiat at the NGV. Add to favourites. Deliberately inconclusive original, archetype, manuscript, master, parent etc Notes to Basquiat: (Ab)original eloquently attests to the compelling possibilities offered by Bennetts art and its embodiment of a process being kept in play; and as he poignantly muses, Poetry doesnt seek closure on its meaning. Notes to Basquiat - Big Shoes - 2002. Bennett died in 2014, aged 58. Gordon Bennett's paintings in the late 1980s and early 90s were informed by theories about appropriation - the borrowing of images from other artists and visual sources - and by post-colonial theories about identity and history. Bennett, Gordon. Gordon Bennett, "Notes to Basquiat: To Dance on a Tightrope," 1998. private collection, Brisbane. Bellas Gallery, Brisbane Acquired from the above by the present owner in 1999. See opening hours cultures, with wider historic references to the radical and the marginalised. come from somewhere, have histories, and like everything which is historical, Both series used a conspicuous sampling of other artists work, re-contextualising these images into symbols of the wider exclusion and disenfranchisement of indigenous peoples. (Ed.). Bennett claims his identity was, shaped by the historical narratives of colonialism with all its romantic illusions and factual deletions (SMH 2014). 152.0 x 188.5 cm. The strange row of heads depicted in the very early work, The Coming of the Light (1987) forms part of the background of this same image. Three parts: a: 182 x 182cm; b: 182 x 61cm; This education resource accompanies the retrospective exhibition Gordon Bennett (2008) which showcased 85 works by this internationally acclaimed Australian artist.Bennett's art engages with historical and contemporary questions of cultural and personal identity, with a specific focus on Australia's colonial past and its postcolonial present. Gordon Bennett was an Indigenous Australian artist whose work primarily conveyed indigenous identity struggles, particularly through the subject of colonization and racial injustice. Code #:14841 LOCATION: Redfern NSW . Gordon Bennett. But is this the tone Bennett actually adopts? Typically, this is the style of contemporary art associated with ideology critique, unveiling systems of discrimination and oppression like racism and sexism. Levels 7-12. . Search the catalogue for collection items held by the National Library of Australia. Estimate: $35,000 - $45,000. Tate, The Museum of Contemporary Art Australia (MCA) and Qantas are partners in an International Joint Acquisition Programme for contemporary Australian art. why. Bennett conversed about his conceptual painting practice as 'based on the semiotics of style and paint application, images and text, historical and contemporary juxta-position'. On the opposite corner, however, a pair of heads labelled Caucasian and black/abo stare blankly into the void. Synthetic polymer paint on paper 38.0 x 53.5 cm . Pollocks action painting is presented as a form of cultural appropriation of First Nations sand painting in Notes to Basquiat: Bird (2001), and those same active lines form the veins of Bloodlines (1993). Gordon Bennett was one of the leading artists of his generation and received widespread recognition internationally for his striking . ibid., p. 22, Important Australian + International Fine Art. For example, the small painting of a black angel in the installation in the first room of the exhibition titled Psycho(d)rama (1990) recurs in Notes to Basquiat (Jackson Pollock and his Other) (2001). Notes to Basquiat: Perfect Teeth comes from the important extended series, Notes to Basquiat, which was a major theme in Bennetts work throughout the 1990sa selection of works on paper from this series was included in The Third Asia Pacific Triennial of Contemporary Art (APT3) in 1999. The works I have produced are notes, nothing more, to you and your works, posthumously yes, but importantly for me - living in the suburbs of Brisbane in the context of Australia and its colonial history, about as far away from New York as you can get - these are also notes to the people who knew you and your works, those who carry you with them in their memories and perhaps in their hearts.1. To learn more about how to request items watch this short online video . Gordon Bennett's series Notes to Basquiat is inspired by the work of Jean-Michel Basquiat, the Haitian-American artist with Puerto-Rican heritage who came to prominence in the USA in the 1980s. Gordon Bennett. secure our sense of ourselves into eternity, identities are the names NOTES TO BASQUIAT: MYTH OF THE WESTERN MAN, 2001. synthetic polymer paint on linen. born 1955. the 1980s. View NOTES TO BASQUIAT (2001) By Bennett Gordon; synthetic polymer paint on linen; 152.0 x 182.5 cm ; Signed; . 152.0 x 182.5 cm. back the skin and flesh to reveal the innards, ribs and skeleton, the Impossible aims, such as this one, often underpin and drive the work of major artists; an achievable aim after all would be quickly satisfied. Gordon Bennett Notes to Basquiat: Modern Art, Sherman Galleries, exh. Provenance. View upcoming auction estimates and receive personalized email alerts for the artists you follow. Selected new items on display in Main Reading Room. His sophisticated mimicry becomes two-fold in his quotation of Margaret Prestons woodcut design of a fish. 109 Bennett's mimicry of Basquiat's style is not an attempt to be like Basquiat or to get an authentic street beat into his life. Bennetts painting Notes to Basquiat (2001) presents distinctly cultural conflict in contemporary Australian society. Collection: Paul Eliadis Collection of Contemporary Australian Art, Australia Art, Australian -- 20th century -- Pictorial works. of history and culture - not an essence, but a positioning. This conversation is manifest quite literally when Bennett drafts a letter to the - then already deceased - Basquiat, outlining his reasons for emulating his style. 23-25, Sydney, May 2017-Jun 2017, 24 (colour illus.). . Notes to Basquiat: Double vision2000Gordon BENNETT. Looking through the exhibition, this internal language becomes insistently present as the resonances between works start to sound. within, the narratives of the past.". Aboriginal Australians -- Politics and government. we give to the different ways we are positioned by, and position ourselves In 1995 Bennett began making work under the name 'John Citizen'. This painting emanates from the 'Notes to Basquiat' series of paintings, where the artist takes appropriation to . Dear Jean-Michel Basquiat, This included abstract expressionism and a dot aesthetic inspired by the Papunya Tula art movement of the Australian Western Desert. Est: AUD30 - AUD50. Professor of Art Theory and Fine Art, Griffith University. Due to major building activity, some collections are unavailable. Estimate: $80,000 - $100,000. About; About. (LogOut/ Gordon Bennett explored indigenous past through his conceptual art, Retrieved August 24 2014, from, http://www.smh.com.au/comment/obituaries/gordon-bennett-explored-indigenous-past-through-his-conceptual-art-20140627-zsnql.htm. Gordon Bennett, Retrieved August 24, 2014, from, http://www.ngv.vic.gov.au/gordonbennett/education/04.html. ^ Terry Smith, "Australia's Anxiety," History and Memory in the Art of Gordon Bennett, Birmingham: Ikon Gallery, 1999, p. 17. Bennetts Notes to Basquiat collectively have had an extensive exhibition history, with a selection exhibited in the Kwangju Biennale 2000: Man + Space, Korea and the 9th Asia Pacific Triennial in 2001. Possession Island 1991 The, In the late 1990s Bennett responded to the personal experiences and practice of Puerto-Rican Haitian-American artist Jean-Michael Basquiat by producing a series of paintings that referenced the style and. In Bennetts most anthologised article, acerbically titled The Manifest Toe, he describes his approach to art using an expression that is often used in critical rather than art theory: the politics of representation. Here we get to the crux of Bennetts contribution. In the upper left-hand corner, a Margaret Preston stylised female figure tumbles, caught in a modernist lattice reminiscent of the work of Dutch artist Piet Mondrian. GORDON BENNETT born 1955 Notes to Basquiat: Hand of God 1999 synthetic polymer paint on linen signe. Identities Estimate: $40,000 - 50,000. Perhaps McLean reads Bennetts work in this way because anger at injustice is the emotional tone critical postmodernism typically adopts. "Notes to Basquiat: Untitled, 1999 appears to be referencing Basquiat's 'Samo', with the simple and strong text 'Sorry' recreated in a similar style with the familiar ironic copyright symbol. Mclean, I. Notes to Basquiat: Australiana 1998 In Notes to Basquiat (Death of irony) 2002, Bennett astonishingly knits a homage to Basquiat with Islamic patterns and calligraphy into a coherent composition . (2014). A humanist at heart, Bennett created works which are grounded in personal experience and an authentic voice. Free entry, Find out what you need to know before visiting, Untitled (reference to Colin McCahon's 'Valley of the dry bones'), Myth of the Western man (White man's burden), Outsider/ insider: the art of Gordon Bennett, Mmoires vives: une histoire de l'art aborigine, Australian art and the Russian avant-garde. by Greg Tate which reads: "To be a race-identified race-refugee is to Australian artist Gordon Bennett's exhibition, a powerful attack on systemic racism, is called Be Polite. This critical orientation is particularly evident in Bennetts history paintings, displayed in the third room of the exhibition. some essentialised past, they are subject to the continuous "play" of Cultural Violence, Journal of Peace Research, vol.27 (3), 291-305. Moreover, Bennetts work is aesthetically similar to American artist Jean-Michel Basquiat. Bennett not only borrows images from the work of American artist Jean-Michel Basquiat, but also begins to mimic Basquiat's spontaneous and gestural urban style of painting, reflecting his involvement in the graffiti culture of the United States. body to expose both pain and anguish and a common humanity. Bennett's painting Notes to Basquiat (2001) presents . Gordon Bennett, Notes to Basquiat: Facial Bones, 1999, acylic on canvas, 51 x 51 cm Courtesy Sherman Galleries, Sydney. inscribed in pencil on reverse : G Bennett 19-5-2000 / "NOTES TO BASQUIAT : DOUBLE VISION" / Acrylic on Linen 152 x 182.5 cms / Jean Cocteau "orpheus" / MIRRORS WOULD DO WELL / TO REFLECT MORE". Bennett's view of a shared cultural and lived-experiences led to his 'Notes to Basquiat' series (1998-2002), inspired by the work of American artist Jean-Michel Basquiat (1960-88). cat., 2001, front cover View artist profile Add to wishlist. It is anything but. Copyright 20102023, The Conversation US, Inc. In Notes to Basquiat (Death of irony) 2002, Bennett astonishingly knits a homage to Basquiat with Islamic patterns and calligraphy into a coherent composition . Paul Matharan and Arnaud Morvan, Mmoires vives: une histoire de l'art aborigine, Bordeaux, 2013, 220, 221 (colour illus.). 120 x 80cm Ultimately betraying Bennetts highly idiosyncratic vision however, is his characteristic engagement of the viewer here through his thesaurus inspired word-play designed to activate the complex web connecting sight, speech and thought, and thus highlights the links between history and meaning established in his oeuvre. His colourful and thought provoking conceptual paintings, prints, performance videos and installations draw on many different sources and styles. Queensland Art Gallery | Gallery of Modern Art. Thus, the oppressive ideologies and events surrounding colonization have been detrimental to the cultural identity of Aboriginal people and has consequently affected their social wellbeing today. We are developing and evolving the new Collection Online and would love to hear what you would like to see developed next by answering these questions after you've finished using the website. The Notes to Basquiat: 911 series and the Camouflage series, which reflect on the terrorist attacks of September 11, 2001 and the war in Iraq respectively, highlight Bennett's global perspective. The original image shows explorer Captain James Cook raising the Union Jack flag in 1770, claiming ownership of the entire eastern coast of Australia in the name of the British Crown. An Aboriginal man is inserted into the picture whose exploding head is turning into stars. In Australia, he would be placed in dialogue with key postmodernist artists such as Imants Tillers, Tracey Moffatt, and Juan Davila. Here's looking at: Blue poles by Jackson Pollock. material existence, even though we may be separated by cultural context, Gordon Bennetts series Notes to Basquiat (LogOut/ 'Unfinished Business: The Art of Gordon Bennett' celebrates the Queensland-based artist's globally recognised contribution to . Read more: This painting emanates from the 'Notes to Basquiat' series of paintings, where the artist takes appropriation to a new level within his practice. Gordon Bennett. 6 (stamped on stretcher bar verso)Kwangju Biennale 2000: Man + Space,Kwangju Biennale Exhibition Hall - Gallery 4, Korea, 29 March 7 June 2000Midwinter Masters: (Whats so funny bout) peace, love and understanding?, The Gallery, Bayside Arts and Cultural Centre, Melbourne, 22 June 18 August 2013 (illus. At times it is as though we are looking at the work of more than one artist. "In the late 1990s Bennett responded to the personal experiences and practice of Puerto-Rican Haitian-American artist Jean-Michael Basquiat by producing a series of paintings that referenced the style and appropriated motifs of Basquiat's own art. Forms and styles of representation recur, transmute and metamorphose across his oeuvre in a dizzying fashion. Purchased with funds from the Foundation for the Historic Houses Trust, Museum of Sydney Appeal, 2007, Collection: Museum of Sydney, Sydney Living Museums, Gordon Bennett Australia 1955-2014. Gordon Bennett 'Notes to Basquiat' (911) 2001 synthetic polymer paint on linen 182.5 x 304.0 cm. The art and legacy of Gordon Bennett (1955-2014), one of Australia's most influential contemporary artists, will be on show at the Gallery of Modern Art (GOMA) from 7 November 2020 to 21 March 2021. (2014). Bloodlines 1993 Explainer: what is postmodernism? Synthetic polymer paint on paper John CitizenInterior (Tribal Rug) 2007acrylic on linen152 x 152cmCollection: Private, Brisbane The Estate of Gordon Bennett. Closed Good Friday & Christmas day Brnice Geoffroy Schneiter, Le Journal des Arts, 'Art premier: La cration aborigne repense', pg. Write an article and join a growing community of more than 163,400 academics and researchers from 4,609 institutions. The work also relates to Basquiat's paintings, following the same principles as his graffiti, signifying the existence of a more basic truth hidden within a given event or thought"--Information from acquisitions documentation. of the past, which is waiting to be found, and which, when found, will If I were to choose a single word to describe my underlying drive it would be freedom To be free we must be able to question the ways our own history defines us. He also wrote an open letter to the dead artist celebrating their cultural and artistic similarities, as well as their shared love of jazz, rap and hip-hop. 1999, Notes to Basquiat Untitled, 1999 [picture] / Gordon Bennett. I was drawn once again to the semiotic signed and dated twice, and inscribed with title verso: 16-10-1999 / G Bennett / G Bennett 1610-1999 / NOTES TO BASQUIAT: MODERNITY / , Sutton Gallery, Melbourne (stamped on stretcher bar verso)pARTners Art Collective, Melbourne, acquired from the above in July 2007, Gordon Bennett Notes to Basquiat: One Tense Moment (episode two), Sherman Galleries, Sydney, 5 November 4 December 1999, cat. Basquiat and Diaz used it as a tool for making social commentary with poetic statements throughout the urban environment. His artwork resist and debate racial stereotyping and is critical of Australias colonial history and postcolonial present. Khaled Sabsabi, Look, 'The art that made me', pg. In Bennetts painting, the imagery of 9/11, for instance, illustrates metaphorically the ongoing religious/cultural conflict deeply embedded within Australian society that is comparable to an event like 9/11 where cultural/religious difference is perceived to instigate violence. In its wake the pile of rubble grows skyward. that make us the individuals we are and the histories of shared experience

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